The Continuation and Transformation of Fujian’s Folk Artistic Genes in Lacquer Painting Creation

© 2026 by the Authors. Licensee Whioce Publishing, Singapore. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution 4.0 International License ( https://creativecommons.org/licenses/by/4.0/ )

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Abstract

As the core birthplace of modern Chinese lacquer painting, Fujian has deeply integrated its folk art genes with lacquer painting creation, forming a unique “Fujian phenomenon”. This paper takes representative Fujian folk art forms such as the Huian Women’s Folk Art, Zhangping Farmers’ Paintings, and Xianyou Gilded and Colored Painting as research objects, analyzing the composition and aesthetic characteristics of its Fujian folk art genes, and proposing its continuation path and transformation innovation from the perspective of digitalization in contemporary society. It is hoped that this can provide an effective model for the dynamic inheritance of excellent traditional Chinese culture.

Keywords

Folk art; Lacquer painting creation; Art gene Introduction

References

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