ARTICLE
Volume 4,Issue 7
21 November 2024
Intertwining of History and Reality: An Exploration of the Creation of Wang Yingsheng’s “The Return of Hong Kong”
Wei Wang ,
Yanqing Liu
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1
Academy of Arts & Design, Tsinghua University, Beijing 100084, China,
IEF 2024 , 2(10), 17–22;
https://doi.org/10.26689/ief.v2i10.8715
© 2024 by the Authors. Licensee Whioce Publishing, Singapore. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution 4.0 International License ( https://creativecommons.org/licenses/by/4.0/ )
Abstract
This article aims to delve into the background, process, artistic techniques, and cultural significance and social impact of Wang Yingsheng’s important artistic work “The Return of Hong Kong.” Through an analysis of Wang Yingsheng’s artistic style, combined with a detailed interpretation of “The Return of Hong Kong”, this article reveals how Wang Yingsheng integrated his personal artistic pursuits with significant historical events to create a work that is both characteristic of the times and full of artistic appeal. Simultaneously, this article explores the position of “The Return of Hong Kong” in the history of Chinese contemporary art and its influence on Chinese culture.
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