The study of the construction of female discourse in Tian Qinxin’s dramatic creation aims to examine the presentation and innovation of female discourse in stage narratives, which holds significant academic and social value. Based on Tian Qinxin’s works, this thesis explores the presentation of female discourse in dramatic texts and performances and the significance and implications of its construction methods. Through textual analysis, case studies, and other forms, this thesis deepens the understanding of the construction of female discourse on stage at the theoretical level and proposes the practical significance of Tian’s plays for contemporary Chinese culture. This study enriches the research findings in the field of contemporary Chinese drama from a systematic perspective and enhances its guiding power in stage creation, holding significant importance for the development of related fields.