ARTICLE
13 August 2026
The Application of Gray Tonal Language in Modern and Contemporary Copperplate Prints
Tianfeng Yang
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1 Jilin College of the Arts, Changchun 130012, Jilin, China,
IEF 2026 , 4(7), 21–26; https://doi.org/10.26689/ief.v4i7.15815
© 2026 by the Authors. Licensee Whioce Publishing, Singapore. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution 4.0 International License ( https://creativecommons.org/licenses/by/4.0/ )
Abstract

The gray tonality is a color language with both neutral characteristics and rich levels. It has something special in the creation of modern and contemporary copperplate prints, and it is easily overlooked. This paper starts with the visual attributes, emotional bearing, and aesthetic characteristics of gray tonality, and analyzes its internal logic of correspondence with the copperplate media technology. Thinking about the creative practice of flying dust, line engraving, color printing, and other different techniques, this paper analyzes the concrete application and spiritual expression function of gray tonal language in copperplate printing. It is considered that the gray tonality can deepen the expression of the spirit of copperplate prints and give a new practical way to explore the diversification of color language in contemporary copperplate prints.

References
Su LY, 2017, On the Artistic Expression of Color in the Creation of Copperplate Prints. Popular Literature and Art: Academic Edition, 2013(4): 1.
Cui ZY, 2017, Artistic Charm in Copperplate Prints. Beauty and the Times: Art Journal (middle), 2017(4): 2.
Zhou S, 2021, Analysis of the Artistic Characteristics of Colors in the Creation of Copperplate Prints. China Literature and Art Artists, 2021(2): 9–17.
Zhang HW, 2025, Study on Color Language of Contemporary Printmaking Art. Color, 2025(1): 136–138.
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