This paper examines how European lacework was reconfigured in modern China through missionary-led needlework education, women’s vocational craft training, regional textile traditions, and export-oriented production networks. Rather than treating drawnwork as a straightforward instance of Western transmission, this study argues that Chinese actors reshaped the craft through three interrelated mechanisms: pedagogy, technique, and production. Missionaries and church-affiliated institutions initially introduced lace-making as a form of informal vocational training for women in treaty-port regions, including Chaoshan, Yantai, and the lower Yangtze. Local artisans subsequently combined lace structures with Chinese embroidery techniques, creating new relationships among openwork, stitch systems, motifs, and compositional schemes. Finally, these training networks developed into dispersed production systems and export-oriented industries supported by merchants, the circulation of patterns, and regional specialization. By foregrounding mechanisms rather than exhaustive chronology, this paper shows that cross-cultural craft exchange operated through education, labor, and market mediation, thereby turning an imported technique into a localized craft industry in modern China.