Construction of Performing Arts Ecosystem in International Metropolis — Exploration and Research on Performing Arts Ecological Street in Hainan Commercial Body

Jiong He, Jingying Wang, Tianshuo Jiang

Show Less

¹ Hainan Vocational University of Science and Technology, Haikou 571126, Hainan, China,

ssr 2025 , 7(5), 130–136; https://doi.org/10.26689/ssr.v7i5.10674

Abstract

In the context of globalization and the integration of culture and tourism, the construction of an entertainment ecosystem has become a key path for international cities to enhance their cultural soft power and competitiveness. Hainan, as an important tourist destination in China, offers unique value through its exploratory practices in commercial entertainment eco-districts. This paper delves into the essence and components of an international city’s entertainment ecosystem, examines the current development status of commercial entertainment eco-districts in Hainan, discusses the opportunities and challenges they face, and proposes targeted strategies. The aim is to provide theoretical support and practical references for Hainan to create internationally influential entertainment eco-districts and promote the development of international cities.

References

Jakobi PA, Loges B, Haenschen R, 2025, What do International City Networks Contribute to Global Governance? Towards a Better Conceptual and Empirical Assessment. Global Society, 39(2): 158–180.

Su F, Jia B, Yang Y, 2024, Navigating Challenges and Psychological Engines: Case from International Communication of Beijing City Image. International Communication of Chinese Culture, 12(1): 1–16.

Asdourian B, Chariatte J, Ingenhoff D, 2024, Digital City Diplomacy and International Cities Networks: Collaboration and City Branding Strategies around Climate Issues. International Communication Gazette, 86(7): 541–564.

Nikhil M, 2024, Expert Opinion: An Interview with Hemant Desai, CIO, International City/County Management. Journal of Global Information Technology Management, 27(2): 168–171.

Zhang Y, 2021, Construction of the Performance Ecosystem in International Cities — A Discussion on the Exploration of the Performance Ecological Street in Tian Shan Road Commercial Complex. Shanghai Art Review, 2021(1): 31–33.

Song WT, 2021, The Creation Path of Kaifeng Tourism Performance Regional Brand. Market Weekly, 34(6): 70–72.

Li W, Zhao HY. Building China’s Performing Arts Capital. Shaanxi Daily, April 12, 2024, 5. https://doi.org/10.28762/n.cnki.nsxrb.2024.002046

Song LY, 2024, Beijing Strives to Build a “Theater Capital”. Investment in Beijing, 2024(3): 28–30.

Deng L, 2021, Research on Shanghai New Performing Arts Space, thesis, University of Shanghai. https://doi.org/10.27300/d.cnki.gshau.2021.000053

Xu QQ, Zhang Y, 2020, The Current Situation, Problems and Countermeasures of Shanghai’s Construction as the “Capital of Asian Performing Arts”. Shanghai Urban Management, 28(1): 21–25.

Zhou HM, 2025, Haikou: “Concert Economy” Sings Out “International Style”. Xinhua Daily Telegraph, March 18, 2025, 4. https://doi.org/10.28870/n.cnki.nxhmr.2025.002297

Liu MX, Peng QL, 2023, Haikou is Building a “City of Performing Arts”, with a Promising Future. Hainan Daily, July 24, 2023, A03. https://doi.org/10.28356/n.cnki.nhlrb.2023.004035

Pei F, 2025, Innovation Strategies and Development Prospects of Online Concert Brand TME Live. China Collective Economy, 2025(12): 153–156. https://doi.org/10.20187/j.cnki.cn/11-3946/f.2025.12.003

Shan HL, 2025, A Study on the Development of Concert Tourism in Kunming from the Perspective of Fan Economy. Economist, 2025(4): 173–174 + 176.

Song LL, Hu MT, 2025, Governance of the Business Environment for Concert Economy in China: Practical Forms, Real Constraints, and Optimization Paths. Secretariat, 2025(1): 3–11.

Yang JY, Lin WJ, 2025, The Action Logic, Risk Concerns, and Comprehensive Governance of Fan Support Phenomena. Journal of Fujian Normal University (Philosophy and Social Sciences Edition), 2025(1): 35–44 + 171.

Chen XF, Huang N, 2025, National Style, Mainstream and Nostalgia: Technology Reshapes Immersive Physical Interaction in Stage Films. Sound Screen World, 2025(2): 58–60.

Zhong JY, Sun Y, 2025, Analysis of the Advantages and Disadvantages of China’s Online Live Concert Operation Model and Future Development Strategies. Sound Screen World, 2025(1): 82–84.

Qiu XY, Wang LH, 2024, “Virtual Presence” in the Internet Age: Conceptual Definition and Typological Analysis. Journal of Nanjing University (Philosophy · Humanities · Social Sciences), 61(5): 122–132 + 168.

Wang SX, Han XJ, 2024, Research on Content Regulation of Large-scale Commercial Performances. Southeast Communication, 2024(8): 74–78. https://doi.org/10.13556/j.cnki.dncb.cn 35-1274/j.2024.08.008

Previous article in this issue

Next article in this issue