Analysis of the Film “Manslaughter” by Using Semiotic Paradox

© 2021 by the Authors. Licensee Whioce Publishing, Singapore. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution 4.0 International License ( https://creativecommons.org/licenses/by/4.0/ )

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Abstract

“Manslaughter” is a crime film released in mainland China on December 13, 2019. Once released, the film has attracted much attention from the audience, surpassing many works released during the same period. The setting of the film and the use of screen language are the magic weapons for the success of the film by gaining favor from the public. This film will be elaborated on based on the field of semiotics.

References

Barthes R, 2008, Principles of Semiotics [Li Y, Trans.], China Renmin University Press, Beijing.

de Saussure F, 2011, A Course in General Linguistics [Gao M, Trans.], Commercial Press, Beijing.

Zhao Y, 2018, The First Paradox of Semiotics Is That Symbols are Needed to Explain the Absence of Meaning. Journal of Xihua University (Philosophy and Social Sciences Edition), 37(2): 1-5.

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